I'm attempting to learn a bit of theory to help my guitar improvisations, but one thing I am struggling with is what I could play to go well with the chords of rhythm guitar that i'm playing to.
At the moment i'm playing to a track strumming a sequence of E A F Em chords.
Where to from here with the lead?
Dugggy
Knowing what key center(s) the chords create is a good start. It does not always tell you exactly what scales or notes to use because of stylistic variations.
E A F Em
There is no single key that fits all these chords. There are at least two keys.
First let's look at E and A. You can fit both into one key.
E and A can be the "I" and "IV" in the key of E major. E and A can also be the "V" and "I" in the key of A major.
Depending on the style you could start with either the E or A major scale or the E or A major pentatonic scale.
E major: E F# G# A B C# D# E major pentatonic: E F# G# B C#
A major: A B C# D E F# G# A major pentatonic: A B C# E F#
I like the second choice (A major or A major pentatonic) because the upcoming F chord does not fit as easily with an E tonal center, even though that's the first chord. E as the tonal center would require a modal approach in the next two bars, which is not the first thing you want to learn. (It'll be the second thing!)
Now to the chords F and Em.
These may be the "vi" and "V" chords in A minor.
So to get a really simple solid approach to playing in a non-jazzy way over the progression, try just playing:
A major or major pentatonic for the first two chords, then A minor or minor pentatonic for the second two chords.
There are many other ways to do it, but this is a good start that lets you concentrate on your phrasing rather than jumping through lots of scales in your head.
The source of this thinking is knowing how to find all the chords in a key center. This is done by harmonizing the scale.
You create the chords I-vii by stacking 3rds above each note.
If the scale is A major: A B C# D E F# G#
it produces these chords:
I A C# E (A)
ii B D F# (Bm)
iii C# E G# (C#m)
IV D F# A (D)
V E G# B (E)
vi F# A C# (F#m)
vii G# B D (G#dim)
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